2017 Second Half – Highlights

Wednesday, June 27th, 2018

OK, all – catching up with doings in the last year if anyone’s interested. First off, let’s put 2017 to bed!

Brian’s Top 5 for the 2nd Half of 2017:

Charles McPherson Quintet: Denver (7/11-12); Albuquerque (7/29)

It’s always a honor and a pleasure to play alongside one of the true masters of the music; I’m in as much awe of his artistry and wisdom as when I first apprenticed under him in San Diego all these many years ago.

Special Guest with Donald Harrison Quintet: Jazz Standard NYC (8/21-24)

Another master, of my own generation. An inspiration, an influence both musically and personally, and a friend. It’s great to be on the bandstand with you, D! And with a fantastic band to boot!: pianist (and my frequent collaborator) Zaccai Curtis, guitarist Detroit Brooks, bassist Jasen Weaver and drummer Joe Dyson.

Brian Lynch And Spheres Of Influence Play Monk: Jazz Standard NYC (10/18)

My favorite club to play at on NYC, starting to become a bit of a home for my ventures. This one nighter was a part of a month long festival of Monk’s music at the Standard, celebrating the maestro’s 100th birthday. On this gig, Spheres Of Influence reflected Monk in Latin-jazz style, with the talents of Zaccai Curtis, brother Luques Curtis on bass, Robby Ameen on drums, and Little Johnny Rivero on percussion keeping it on the real! A great gig with a great audience on hand.

Brian Lynch And Spheres Of Influence Miami Edition: Dominican Republic Jazz Festival (11/4)

I’ve been spending some time in Miami over the last few years, teaching at the Frost School Of Music and enjoying playing with the amazing musicians in the South Florida community, along with the outstanding students coming out of our school. My Miami Spheres “edition” is the equal of any band I could put together in NYC: Kemuel Roig (piano), Rodner Padilla (bass), Hilario Bell (drums), and Murphy Aucamp (percussion) all killed it on the international stage! The wonderful Sean Jones joined us on trumpet to play a couple of songs from my recent Grammy nominated Madera Latino album, along with good friend and ace saxophonist Marco Pignataro.

Brian Lynch And Spheres Of Influence Miami Edition featuring Nicole Yarling: Pinecrest Gardens, Miami (12/9)

An expanded version of the SOI Miami band, featuring a treasure of the South Florida music scene, vocalist and violinist Nicole Yarling, spread hold cheer amongst the lush vegetation at this truly beautiful outdoor venue.

Other Events Of Note:

The Music Of Louis Armstrong w. Jon Faddis, Warren Vache, Bill Charlap Trio: 92nd St. Y, NYC (7/27)

Brian Lynch Quartet with Aaron Goldberg, Matt Penman and Obed Calvaire – Jalisco Jazz Festival, Guadalajara, Mexico (8/2)

Special Guest with Eddie Palmieri Small Group: Blue Note, NYC (8/8)

Recording Session as Special Guest with Dafnis Prieto Big Band: Systems Two, Brooklyn, NY (8/28)

Monk Goes Latin with Robby Ameen, Conrad Herwig, Ruben Rodriguez, Richie Flores,
Manuel Valera and Dee Dee Bridgewater: Angel City Jazz Festival, Hollywood, CA (10/1)

John Beasley’s Monk’estra: Detroit Jazz Festival (9/3); Jazz Standard NYC (10/12-14)

Special Guest with Jon Faddis Group – Tribute to Dizzy: Dizzy’s Club Coca-Cola, Jazz At Lincoln Center NYC (10/19)

Gulliermo Nojechowitz “El-Eco”: Dominican Republic Jazz Festival (11/1)

Recording Session with Rodney Whitaker Sextet: Ann Arbor, MI (11/19)

Residency At University Of Iowa: Iowa City, IA (12/7-8)

Prelude To New Postings – June 2018

Wednesday, June 13th, 2018
It’s been a looong time since I have updated the News page on my website, sent out a newsletter to my mailing list, or otherwise communicated with my modest base of interested folks via “old school” (pre-social media) means. Keeping my web sites updated has always been a uphill battle for me, and in the last few years even more so since my teaching duties kicked into high gear.
With the immediacy and ubiquity of Facebook, Twitter, and Instagram dominating how people in my cultural area give and receive information, I often wonder whether it even makes all that much difference whether you have a “real” web site and assiduously keep it up to date. Maybe for some it still does; I know I still really love to read news or especially a blog post from someone who takes the time to put something both interesting and well written together.
I’m not sure if I fit in that category. I like writing, but I like practicing the trumpet or composing music more, when I’m not on the bandstand or in the teaching studio. It’s about finding the time for it, as it is in so many things, and more often than not I don’t have enough.
This summer is turning out to be on the quiet side though, which allows me to hopefully catch up with some undone and unfinished things.  One of these that I’ve tasked myself with is to do some writing (of words). I so admire those musical colleagues of mine who have writing facility and felicity; it’s like hearing someone play when the chops and ideas are both really happening. As a wordsmith, I may have ideas, but definitely very little chops. So, in the spirit of getting one’s chops together, I’m going to work on mine through new postings in the relative seclusion of my website and mailing list. (This may be a golden opportunity to hit “unsubscribe”!)
The first thing I’ll be working through is a synopsis of my past 12 months: the highlights of my schedule and a bit of musing on states of affairs (take that any way you want since I’m not quite sure what that means myself yet).
I’ll be right back with you…


Saturday, May 20th, 2017



Trumpeter Brian Lynch and Hollistic MusicWorks are proud to announce their double success in the 2017 Jazz Journalists Association Jazz Awards, the winners of whom were announced on May 17th by the JJA. Lynch has been named Trumpeter Of The Year by the association, and his latest recording, the Grammy© Award nominated Madera Latino: A Latin Jazz Interpretation On The Music Of Woody Shaw was named Record Of The Year.

Winners of the 21st Annual Jazz Awards, celebrating 41 categories of excellence in music and music journalism, were determined by the two-stage voting of full JJA members — writers, broadcasters, photographers, videographers and other media professionals engaged in disseminating news and views of jazz.

Lynch stated after hearing the news of his awards: “I’m elated over this signal recognition of my work as a performer and recording artist by this prestigious organization. To receive a JJA Jazz Award is to be conferred a distinct and coveted honor. To receive two in the same year is almost beyond belief! I would like to dedicate these awards to the living and growing legacy of the great Black American musical genius Woody Shaw, whose time is coming closer every day as more musicians and listeners recognize the vital importance of his work to the continuation of this art; and to all independent artists like myself everywhere – as someone who many of us are missing very much right now once said, ‘yes we can!’”

JJA Record Of The Year Madera Latino explores the music of jazz innovator and master trumpeter Woody Shaw, a main influence on Lynch’s work as player and composer, through the lens of authentic Afro-Caribbean rhythm, framed by the loving treatment of his compositions in virtuosic Latin Jazz style by Lynch. It is also a heartfelt tribute to the genius of Shaw by a all star lineup of today’s top trumpeters: Lynch, Sean Jones, Dave Douglas, Diego Urcola, Michael Rodriguez, Etienne Charles, Josh Evans, and Philip Dizack, along with a truly mighty Latin Jazz rhythm section: percussionists Pedrito Martinez and Little Johnny Rivero, bassist Luques Curtis (all three integral to the success of Lynch’s 2006 CD Simpático, a Grammy@ Award winner in the Latin Jazz category), along with drummer Obed Calvaire, percussionist Anthony Carrillo, and pianist Zaccai Curtis.

See The EPK for Madera Latino here:

As a jazz trumpet star, Lynch’s career over the span of more than 35 years has been a notable one, dating back to long tenures with the Horace Silver Quintet and Art Blakey’s Jazz Messengers in the 1980s and early 1990’s and leading to epic collaborations straddling each side of the millennium with Latin/ Latin Jazz icon Eddie Palmieri and alto sax legend Phil Woods. Other artists in the jazz, Latin, and allied music fields that he has had significant associations with include Benny Golson, Hector LaVoe, Toshiko Akiyoshi, Lila Downs, Charles McPherson, and Prince, among countless others. Throughout his career, Lynch has led his own bands, touring the US, Europe and Japan since the 1980s, and has also co-led ensembles with colleagues such as trombonist Conrad Herwig (notable for the Latin Side series of recordings).

After 17 albums as a leader on the Criss Cross, Sharp Nine, Ken, EWE, Z’oot Jazz, Nagel Heyer and Artist Share labels, Lynch established his own label, Hollistic MusicWorks, in 2010. Notable releases on HMW besides Madera Latino include his Downbeat 5 star rated Unsung Heroes series (201013) legendary drummer Killer Ray Appleton’s Naptown Legacy (2013) and Questioned Answer, a co-led project with rising piano star Emmet Cohen (2014). Hollistic MusicWorks’ new and upcoming releases for the balance of 2017 include pianist Rob Schneiderman’s Tone Twister, with Lynch, Ralph Moore, Gerald Cannon and Pete Van Nostrand; trumpeter Jared Hall’s Hallways, the first release in HMW’s Mentor Series showcasing emerging artists; and Lynch’s own Songbook Vol. 1, featuring Jim Snidero, Orrin Evans, Boris Kozlov, and Donald Edwards. For more information about Hollistic MusicWorks, see the label website at

Lynch is also active as an educator and is Professor Of Studio Music And Jazz at The Frost School Of Music, The University Of Miami. Other educational associations include Artist In Residence for the Wisconsin Conservatory Of Music’s Jazz Institute, and Artist In Residence and Director for Ensamble Tonica, Fundacion Tonica GDL, Guadalajara, Mexico.

Brian Lynch is a Yamaha Performing Artist and endorses Austin Custom Brass mouthpieces as well as the Lefreque Sound Bridge.

For more information about Brian Lynch along with his performing schedule, see his website at

Kim Smith
public relations

Madera Latino Nominated For Grammy!

Monday, December 12th, 2016


Hi Everyone,

The past week brought some great news for me and the Hollistic MusicWorks label – my “Madera Latino” project, celebrating the music of the great Woody Shaw through a Latin Jazz lens and featuring some of today’s top jazz trumpeters, has been nominated for a Grammy© in the category of Best Latin Jazz Album! This is my fourth Grammy nomination, and comes exactly 10 years after my “Simpático” CD in collaboration with Eddie Palmieri won a Grammy in the same category. It’s the first nomination for my label Hollistic MusicWorks, and a testament to the power of DYI (do it yourself)! It wouldn’t have been possible without the great musicians that participated (my trumpet brothers and others), engineers, video/photo crew and the backers for the Kickstarter project that raised funds for Madera’s publicity campaign. (a tally of some of these wonderful folks is at the bottom of this message)

Receiving a Grammy nomination for this project, which was a real labor of love for me over these last four years, fulfilled my every desire for this recording, or so I thought. I now have to admit to you, and to myself, that now that the project has gotten this far, I’m harboring a little hope that it may go all the way. There’s some other great records by friends and colleagues on the nomination list in my category. But I might dare to believe that, with luck, faith, and continuing to spread the word, Madera Latino may win that Grammy, for myself, the other great artists that joined me on the recording, and for the memory and spirit of my musical hero and the “last of the line”, Woody Shaw.

I’d like to invite you to share in this quest by letting your friends, family and networks know about Madera Latino. Some of you may know voting NARAS members; probably most of you don’t but no matter – if you give this project a little love, I think it will help it spread its wings and fly where it needs to be.

To this end, I invite you to listen to Madera Latino at your leisure via my SoundCloud feed. This link will be live up until Grammy ballots are due in mid January:

You can also buy Madera Latino if you’d like! The physical CD can be purchased through Amazon:

or CD Baby (Hollistic MusicWorks direct coming soon!):

Downloads can be procured (including a PDF booklet) at my Hollistic MusicWorks Bandcamp site:

or through iTunes.

It’s the perfect holiday gift!











Madera Latino is also coming to a town near you! Dates confirmed so far in 2017 include:

Jan 3-4: New York, NY – The Jazz Standard
Feb. 25: Miami, FL – Miami Downtown Jazz Festival

and more on the way!

Thanks for reading this and thanks for the support so many of you have given to my work and the work of the artists on Hollistic MusicWorks!

Brian Lynch

Madera Latino Credits:

Sean Jones (trumpet)
Dave Douglas (trumpet)
Diego Urcola (trumpet)
Etienne Charles (trumpet)
Mike Rodriguez (trumpet)
Josh Evans (trumpet)
Philip Dizack (rumpet)
Bryan Davis (trumpet)
Zaccai Curtis (piano)
Luques Curtis (bass)
Obed Calvaire (drums)
Pedrito Martinez (timbales, congas)
Little Johnny Rivero (congas)
Anthony Carrillo (bongo, campaña)
Mike Marciano (engineer)
Erik Piza (engineer)
Tyler McDiarmid (mix consultant)
Katsuhiko Naito (mastering)
Video: Nick Myers & Aaron Rockers (A-V Web Pro); Gary Stager
Photos: Nick Myers, Gary Stager
Associate Producer: Woody Shaw III
Executive Producer (Kickstarter): Frank Abenante
…and thanks to all the Kickstarter backers, including Tom Dambly. Simon Pilbrow, dscollins, and 122 others!

Brian Lynch (trumpet, engineer, mixing, producer, album design, all arrangements)

For Your Consideration – Madera Latino

Thursday, October 20th, 2016

Bandcamp Hollistic banner new copy.png

 For Your Consideration – Brian Lynch’s “Madera Latino” 

Watch the Madera Latino EPK here:
The Hollistic MusicWorks label is happy to announce that trumpeter Brian Lynch’s  “Madera Latino – A Latin Jazz Perspective On The Music Of Woody Shaw” project, a 2 CD set, has been placed on the Official Ballot for the 59th Grammy© Awards!
We would like to ask any of you who are voting NARAS members for your consideration in selecting Madera Latino in first round voting for nomination in these categories:
Best Latin Jazz Album
Best Improvised Jazz Solo
The Grammy first round ballots have been sent to all voting members and must be received by the Academy by Friday, November 4.
If you know someone else who is casting their vote in this year’s Grammys, please forward this email and ask for their consideration on Madera Latino’s behalf.
Even if you’re not a voting member, we’d still appreciate it if you spread the word to everyone you know about this project, via social media, email, or simple word of mouth!  Hollistic MusicWorks and Brian are very proud of what we’ve accomplished with this project.
You can listen to Madera Latino here:
And the EPK for Madera Latino, explaining the concept of this recording, is here:
It’s been exactly 10 years since Brian Lynch’s  CD “Simpatico” in collaboration with Eddie Palmieri won the Grammy for Best Latin Jazz Album, and we think Madera Latino has what it takes to grab another one, with your help.
Thanks for your consideration!
Brian Lynch and Hollistic MusicWorks
PS – Oh, by the way – we achieved our Kickstarter goal for Madera Latino! Hooray!
“I am very proud of what Brian has done with this project, and particularly of the depth of sincerity and the meticulousness with which he has treated the re-interpretation of Woody Shaw’s original works within the Afro-Latino idiom. My respect and gratitude go out to the musicians on this recording for keeping the spirit of this music – and of one of its last great innovators – alive and strong in the 21st century.”
Woody Louis Armstrong Shaw, III.
Hollistic MusicWorks is the record label and creative conduit of Brian Lynch – Grammy© Award winning trumpeter, composer, arranger, bandleader, and educator. In addition to hosting Lynch’s own recording projects, HMW provides a home for other artists deserving of respect and recognition, ranging from veteran artists such as legendary drummer Killer Ray Appleton and the brilliant pianist/composer Rob Schneiderman, to emerging new artists personally mentored by Lynch.